Ciao, Blanchett fans!
Cate Blanchett has been nominated for Best Lead Performance at the Independent Spirit Awards. TÁR received a total of 7 nominations. Another interview with Cate and Nina Hoss has been released, and The Late Show with Stephen Colbert aired their recent episode where Cate took The Colbert Questionert. There will be preview screenings of TÁR at Picturehouse cinemas in London on New Year’s Eve, you can book tickets here. The movie will be released in the UK on January 13th 2023.
We have added the scans from Financial Times: How to Spend It on our gallery. The January 2023 issue of Empire UK magazine is out now. Cate and Todd Field were interviewed by Olly Richards, and photographed by Mary McCartney during the recording of TÁR’s concept album.
#TÁR is nominated for seven #SpiritAwards, including Best Director (Todd Field), Best Lead Performance (Cate Blanchett) and Best Feature. pic.twitter.com/EX3wldyOhO
— TÁR (@tarmovie) November 22, 2022
Empire Magazine Interview
Here are some parts of the interview with Cate by Olly Richards.
If you’re ever having a nice chat with Cate Blanchett and want to stop it dead in its tracks, ask her about acting.
It’s like throwing a bucket of water over her. “I couldn’t be less interested in talking about it,” she says, slowly folding her arms as if this might deflect the question. She would rather talk about anything else. She’d like to talk about her garden (her onions are doing well). She’d like to talk about how amazing it is that we’re standing about 15 metres from where The Beatles recorded (we’re in Abbey Road Studios, which we’ll explain later). Just please, oh God, not acting. Unfortunately, we’re going to make her talk about it because, you may have noticed, she’s really very good at it. And in her new film she’s about the best at it she’s ever been.
The reason we’re at Abbey Road is because Field and Blanchett are, in a very meta move, making a concept album inspired by Tár’s planned Mahler album. Blanchett is readying to conduct the Dresden Philharmonic (the orchestra in the film), who will arrive tomorrow. Their chairs are set up, expectantly awaiting orchestral bottoms. “It’s all in the breath,” says Blanchett, waving her hand gently in the air. “If you stop breathing, you break the communication with the orchestra, You stop thinking when you stop breathing.”
You can purchase the magazine here.